肖菲勒

The film delves into the unexplored theme of the displacement of the Rusyn, an East Slavic ethnic group from the Eastern Carpathians in Central Europe, during the construction of the Starina reservoir in the 1980s. Set against this tumultuous backdrop, Flood intertwines personal and collective stories, bringing to the forefront the often-overlooked plight of the Rusyn minority in Slovakia.
　　Gonda's film speaks to minorities, individuals who have experienced displacement and young adults through its protagonist, Mara. The story unfolds in a small village, threatened by an impending flood due to the construction of the reservoir. Mara, a young woman yearning for city life and an education, is bound to her rural roots by her strict father, a Rusyn farmer, who refuses to relinquish his land and legacy despite the looming end of their world. Flood explores the themes of adolescence, uprooting and the sacrifice of personal desires for the greater good. The film seeks to elicit reflections on one's roots and the concept of home, as well as the challenges of navigating a disappearing culture and heritage.
　　The Starina reservoir's construction, which lasted from 1981-1988, led to the largest displacement in Slovak history. Gonda's personal connection to the region, having spent his childhood summers there, adds a layer of authenticity and depth to the narrative. The film not only recounts the physical destruction of the seven Rusyn villages, but also captures the emotional and cultural impact of this event on the community. The director aims to present a deeply researched, emotive and intimate story as well as diving into the complex dynamics between personal identity, community ties and the inexorable march of progress. The movie is poised to engage and challenge audiences, fostering a deeper understanding of the often-painful interplay between tradition and modernity.

Set against the backdrop of eighteenth century England, a massive pox outbreak, and Jacobite uprising – this is a timely and darkly satirical story of Sir Chauncey Savage (Grant) and Lady Savage (Foy) and their blind pursuit of a better life. It is not without a tinge of irony that their family name is the Savages, for this is a Savage House indeed. Filled with duels, decadence, and bloodshed, this is a madcap play on class and power.

德布斯与米奇是一对多年好友，新年夜，他们带着各自的伴侣乔希和梅兰妮，一同前往森林中的小屋度假。一场暴风雪让四人被困，一棵倒下的树意外让德布斯和米奇撞破了彼此伴侣的秘密。随着一杯神秘鸡尾酒下肚，所有束缚被打破，新年狂欢瞬间失控，谎言与背叛在封闭空间中不断发酵，两对情侣的关系在欲望与欺骗的拉扯中，逐渐走向不可收拾的局面。

在试图埋葬过去多年之后，萨姆被迫回到了她空荡荡的童年故居，因为她得知了哥哥马修神秘死亡的消息。萨姆与她体贴的丈夫布雷迪、关系疏远的兄弟诺兰以及他们的同父异母妹妹梅洛迪重聚。每个人都带着自己的包袱，来到了这座充满痛苦回忆的房子里。随着他们开始揭开真相，深埋已久的紧张关系再次浮现，过去证明是无法逃避的。但在那座偏远住宅的阴影中，还有别的东西在潜伏……一种他们无法解释的存在。奇怪的事件模糊了现实与偏执之间的界限。

　该电影关注“云端天路”背后的无名英雄，首次将镜头对准海拔4200米的“开心岭”信号工区，揭秘铁路系统“神经末梢”的守护传奇。影片通过复员军人第五小军（卢祈炽 饰）与铁道兵出身的老信号工杨震山（巫刚 饰）的师徒羁绊，串联起暴风雪抢险、狼群夜袭、设备升级等真实事件，讲述雪域高原上两代铁路人坚守与传承的动人故事。

上世纪90年代，美国南方小镇的录像店女员工，始终放不下姐姐离奇失踪的旧事。一次整理库存时，她意外翻出了姐姐生前拍摄的系列纪录片《南方惊魂》，片子里记录着当地各种不为人知的民间诡异传说。随着她一集集深入观看，纪录片里的灵异内容竟开始在现实中接连应验。她顺着片子里的线索四处走访调查，试图揭开姐姐失踪的真相，却一步步触碰到小镇尘封多年的黑暗秘辛，那些只在口耳相传里的恐怖存在，已经悄悄盯上了她。

故事的主人公是7月5日生日的原遥。描绘了她身边接二连三地发生不祥的事情，平凡的日常生活逐渐崩溃的样子。不久即将迎来的2025年7月5日凌晨4点18分等待的“某物”。

五位挚友相约前往热带海岛度假，计划在碧蓝海域中体验刺激的鲨鱼笼潜水，同时享受奢靡的派对狂欢。然而他们浑然不知，这趟旅程不过是一场精心布局的犯罪幌子，幕后主谋正是行事冷酷、算无遗策的危险人物“伯恩斯”——他在暴力中淬炼成型，对大海了如指掌。当阴谋突然引爆，一场激烈冲突 让女主角塔蒂亚娜与好友卡莉被困深海之中：头顶是氧气瓶指针飞速下滑的恐慌，四周是游弋不去的鲨鱼，水面之上则是伯恩斯穷凶极恶的手下虎视眈眈。夹在水下猛兽与水面上暴徒的双重绞杀之间，塔蒂亚娜必须凭借全部的智慧与勇气，在生命流逝之前找到逃出生天、拯救同伴的唯一出路。影片将海洋生存惊悚的窒息感与犯罪动作的高燃节奏融于一体，充满意料之外的反转，令人屏息。

My name is Sofia. I’m 14 years old and I’m lost. My mother vanished inside the boarding school where she works, and my father just tried to commit suicide under strange circumstances. Next to him, an Ouija board. I used it during a terrifying seance, and the ghost of my mother told me to look for her. Everything is clear to me now. My name is Sofia. I’m 14 years old and I’m going to enroll at the boarding school to find the body of my mother.

After the parties, jobs, and hook-ups well into their thirties, eight friends are trying to hold on ...