本片讲述了一个发生在乡村，因逼婚和一个翡翠镯子而引发的一系列阴差阳错、环环相扣的悬疑闹剧。揭示了人性的复杂与命运的无常。
美国中西部的一个小镇正在庆祝建镇300周年，庆祝活动包括万圣节舞会和玉米迷宫。去年万圣节前夜，哈德利·布里格斯曾遭受前男友的残忍袭击，侥幸生还，而她的前男友也因此锒铛入狱。然而现在，一系列新的谋杀案接连发生，蒙面凶手用受害者的肢体制作令人毛骨悚然的装饰品。— sysawyer
管所有压倒性的证据都指向金娇，她却自始至终反复坚称自己清白无辜。法庭最终做出死刑判决，将她彻底推向绝路，金娇带着满腔愤怒、悲痛与怨恨咽下了最后一口气。死后，这份积压到极致的怨念并未随生命消散，化作索命的怨灵重返人间。所有将她推向死亡的人，都要被这份滔天恨意裹挟，为这场不公的裁决逐一付出血的代价。
A shipwrecked 13th century samurai considers ritual suicide until captured by cannibals on a seemingly deserted island. His will to live awakens.
影片讲述了一位少年在动荡的童年中长大，母亲又突然失踪后，他踏上了寻母之旅。这不仅是对母亲下落的追寻，更是他探寻身世真相、寻求内心释怀的过程。
重庆县城里一条江分隔开了城市和乡村，也把一个家族的两代人分开了。 乡村里住着一对老夫妻，老太太吴春兰和老头儿李志华。他们与城市里的子女的关系 日渐疏远， 但因为一笔老房子的土地流转款，他们与儿女的关系又变得紧密起来—— “小时候，我总感觉身边的大人有很多无可奈何的苦楚，就像是重庆的灰蒙蒙的雾成为了生活的底色。不过，雾中也能带着诗意。它散开后，白色的太阳洒下薄薄的阳光，仿佛也带着一种慈悲众生的暖意。这部电影，就是带着这样的基调的一次追溯。”
1974年的新西兰，10岁毛利男孩布莱恩因母亲离世陷入悲痛，与父亲的新家庭格格不入，离家出走后躲进了一所濒临倒闭的修道院。他无意中偷听到神父与主教的阴谋——他们打算卖掉修道院，将修女们送进养老院。布莱恩的出现，让艾格尼丝、玛丽?克莱尔、卢克三位古怪修女决定带着他踏上 一场横跨南岛的公路之旅。她们偷了教会的钱，开着破车，一路闯祸、一路互相扶持，前往奥拉基雪山寻找关键文件，试图保住修道院。布莱恩也在这场旅途中，找到了属于自己的救赎与归属感。
In Diciannove (translating to Nineteen), Giovanni Tortorici’s elegant, heartfelt, and daring debut, a curious student learns that the road to self-discovery is worthwhile, if not necessary, no matter how unfamiliar or daunting the path. Eager to escape his overbearing mother and the only life he’s known, 19-year-old Leonardo (Manfredi Marini, who gives an exceptional performance), leaves picturesque Palermo to study in bustling London. His landing is buffered by his sister Arianna (Vittoria Planeta) and her roommate Grazia (Dana Giuliano), though the initial excitement of living abroad — and unrestricted partying — wanes quickly, and Leonardo finds himself enrolling at the University of Siena, focusing on Italian literature. Back in familiar surroundings, he falls in love with the medieval city, but is not so keen on his literature professor. Seeking that indescribable feeling of knowing you’ve found your place — beyond just geography — Leonardo delves into the classics independently, spawning a soul-searching and deep interest in early modern authors like Pulci, Segneri, and Leopardi. Surrounding himself with beauty, vibrant youth, and new ideas — as well as images he’d previously repressed — his world blooms. A year into his unbound journey, Leonardo travels to Torino where he meets a man who, though much older, may finally be a contemporary — if not the key to unlocking his innermost desires.
Matt's fiance leaves him at the altar. Heartbroken, he goes on their planned Italian honeymoon alone. There he rediscovers his zest for life, food, and meets Gia who helps him find love again.
神秘藏宝图引发灭门惨案，少年修炼十年誓报血仇！刀光剑影，血腥反杀将启，近身肉搏，肾上腺素狂飙！江湖杀手以暴制暴，以一敌众以命相博！
第一章：一边看富豪女儿的房子，一边和房产经纪人发生性关系的故事。第二章：瞒着别人和在游泳池遇见的男人发生性关系的故事。第三章：偷偷看朋友和男朋友做爱，并在朋友不知情的情况下和朋友的男朋友做爱的故事
When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.
Didier Konings’ simmering mediaeval horror Witte Wieven explores the confluence of religion and patriarchy in an excessively puritanical Dutch village. Blamed by her community for being childless, Frieda immerses herself in prayer and ritual. When she returns unscathed from the forbidden forest surrounding the village, having evaded a lecherous butcher, she is condemned as an agent of the devil. Frieda, however, finds new faith in the dark powers that inhabit the woods. Shot in a reduced colour palette at the edge of visibility, Konings’ gripping film constructs a convincing pre-modern society whose practices it elucidates with patience and attention. Although set in the Middle Ages, Witte Wieven displays an unmistakably contemporary spirit, crafting a feminist parable about women discovering new ways of understanding their lives and the world.
