The film is inspired by the true-to-life story of the discovery of the long-lost “Opus 28” manuscript from Norwegian composer Johan Halvorsen, originally performed in 1909 by Canadian violinist Kathleen Parlow, to whom the piece was dedicated.
　　Campbell portrays a student who seeks to complete her thesis on Parlow by organizing a public performance of “Opus 28” from Toronto to Oslo. The cast includes Due?as, Melanie Scheiner, Eve Duranceau, Maxim Gaudette, Rosa-Johan Uddoh, and Eileen Davies.

True crime hosts covering a 30-year-old murder find their crumbling relationship mirroring the brutal case they're investigating, all while broadcasting live.

A committed couple finds their life slipping away, not because they’ve done anything in particular, ...

在一次车祸导致米娅完全失忆后，由她深爱的丈夫和女儿照顾，米娅开始回忆起自己的第二个女儿，而其他人都不相信她的存在。

一次看似普通的亲子钓鱼之旅，一家三口却误入了被称为“稻草人幽谷”的无人荒野。影片由他们遗留下来的影像拼凑而成，记录了这段度假经历如何一步步失控——森林深处，有某种无法解释的存在在暗中狩猎，而这片幽谷被掩埋的恐怖历史，也逐渐显露真相。

麦城是加拿大非白人人种比例最高的城韍。华人在这里营营役役，落地生根，却埋藏着鲜为人知的一面……〈满江红〉中，东北男子初来甫到，诸事不顺，与小混混同乡勇抢夺命金；〈五点零〉的黑人Uber司机，为了力保五星好评，对华人的歧视照单全收兼笑口噬噬，但两位危险人物和香港女网红令他翻唔到身；〈地下室〉中，精叻女网红想买大屋，神秘地产经纪介绍返的是本土黑暗史。三段式故事由三位导演编导，风格迥异却环环相扣，诙谐呈现华裔移民面对的荒谬。

Facing a long winter of lockdown and combating a bad case of writer’s block, filmmaker Eric agrees to get a dog with his girlfriend Allie. A modern couple – vegan, ethical, millennial, neurotic – much research and negotiation leads to the arrival of Milly, a rescue from the Dominican Republic. This sets off a riotous chain of new challenges on how to best deal with this addition to the household. As Eric contends with a sinister dog-training programme, his introspection spills out onto his film work, with poor Allie and Milly taken along for the ride. The couple each pursue their own deepheld individual questions surrounding trust, purpose and roots, while wrestling with the idea of what it means to be a modern family. Milly, in the meantime, has a lot on her paws with these two!
　　Part rom-com, part rescue-dog story, part autofiction, part self-indictment, part family scrapbook, this debut feature was made with remarkable economy and displays a disquieting amount of (often hilarious) emotional authenticity. Filmmaker Ben Petrie and creative collaborator Grace Glowicki play the young couple and in doing so, capture nothing less than what it means to be human.